I’m counting the grains and they’re so sharp: the best of Wire

Well, I figured Graham Lewis and Colin Newman deserved a snotty reappraisal. My piece on Wire’s 154 triggered a a week’s worth of hate (e)mail when such things existed. Intended as provocation, the essay pretends the rest of Wire’s career didn’t exist, and it’s only then that the Graham Lewis show pieces I hated make sense. If anything, the recordings they’ve released since 2000 honor their commitment to a paradox that no other band, let alone punk band, has ever mastered: histrionic austerity.

In this list I’ve included tracks from every Wire period ending with 2013’s ultra-competent and too aptly named Change Becomes Us and Colin Newman’s first solo album. For Wire, their career was all in the art of stopping, then restarting. Anti-nostalgia will consume itself. If the song at the top of the list is startling, I owe it to them. I can think of few bands using English who’ve written as primal, mysterious, and devastating as “Kidney Bingos.” In 1995’s epochal SPIN Alternative Record Guide, Eric Weisbard mused that to prefer The A-List, compiling Mach II Wire’s experiments with echo and Depeche Mode synths, you’d have to be as coldly pure as Wire themselves. Well.

1. Kidney Bingos
2. Ex-Lion Tamer
3. Map Ref. 41°N 93°W
4. Practice Makes Perfect
5. Lowdown
6. Mannequin
7. I Am the Fly
8. 12 X U
9. The 15th
10. French Film Blurred
11. Pink Flag
12. I Don’t Understand
13. Ahead
14. On Returning
15. A Series of Snakes
16. Outdoor Miner
17. Strange
18. Sand in My Joints
19. Drill
20. Bad Worn Thing
21. Another the Letter
22. One of Us
23. Reuters
24. In the Art of Stopping
25. Eardrum Buzz (Single Mix)
26. Two Minutes
27. As We Go
28. I’ve Waited Ages
29. Ambitious
30. Better Late Than Never

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